Know The Hands Signal of Floor Manager / Floor Director

Floor Manager

The Floor Manager / Floor Director remains in the TV Studio during production through headphones. Are in direct communication. Bidirectional control room Director. Normally, the talent can not use the headset and does not receive instructions directly from the Director. It is the responsibility of the Floor Manager / Floor Director acts as a liaison between the Director and talent.
Since it is not practical to entrust talent orally during production, the Floor Manager / Floor Directorstands or kneels next to the camera that talent to speak and uses a system of hand signals to relay instructions of director . Although any system signal hand understandable from the floor manager and talent would work, it is recommended that you use the internationally accepted system shown in the picture.
The basic hand signals, both floor manager / Floor Director and talents must understand are listed in the following text.
1. Stand by
For a hand signal to  "stand by " floor Manager / Floor Director raises his hand and arm at the beginning of the Show or when additional subdivision.
2. Cue.
For the hand of "start talking" or "begin," the floor manager / Floor Director raises his hand and points to the talent.
3. Cut.
For the hand-signal to  "cease talking " or  "stop action, the floor manager / Floor Director pulls his hand " in his throat in a cutting motion.
4. Stretch.  
For a direct reference to  "stretch"  "it or slow down," Director floor pulling his hands together as if stretching a rubber band. The amounts are longer than the time when call manager puts his hands far apart at the end of the proposal extends; shorter time amounts when call manager puts his hands closer together.
5. Speed up.
The hand signal to "talk faster," the head of the section rotates his arm and hand clockwise in circles above his head. Speed refers to the urgency of the time.
6. OK.
For the hand signal, that "everything is in order, " the floor Manager / Floor Director is a circle with his thumb and index finger.
7. 30 seconds to go.
 The hand signal, which is 30 seconds remaining in the show segment, the floor manager / Floor Director forms the letter T in both hands.
8. 15 seconds to go
There are 15 seconds of the Show remained in the segment, and talent is doing text wraps to the hand/signal, resulting in a punch to floor Manager / Floor Director creates a movement by grabbing.
9. Speak more softly.
For hand signal to "speak more slowly" floor manager / Floor Director raises the Palm of the hand to his mouth.
10. Speak up
For a hand signal to  "speak,  ' floor Manager / Floor Director cups his hand to ear.
11. Speak or look at this camera
For the hand signal to "speak or look at this camera," floor management refers to the on-camera in his hand in the air. Waving pen motion from one camera to another, change the declarations of the talent leader is another must-air camera shot.

Floor Manager Hands Signals

Accurately and discreet when you send a signal tool. Don't spread your arms frantically in the air-this is a special MEW and mimic ability.

During the television production studio floor is usually a maze of lighting and camera cables, which may impede the movement of the camera and also be a security risk. The head of the Division must ensure that the cables are securely stored or located. In addition, he should find out from the camera operator and Director of the how much camera movement is expected.
If you cut to the talent and then cue them, you will see them waiting to begin or see action spring into life.  Cue them too early before cutting and action has begun already.  Wrong cueing leaving talent confused.  If they are finished with their piece, and you have not cut away to the next shot, they may stand there with egg on their face, so to speak, asking for ad lib or just grin!
Hand Cues or hand signals given by the Floor Manager / Floor Director by hand, are the standard method of tracking to start or stop.  Make sure that your signals can be seen by the talent and is included.  If necessary, Hand Cues basic to explain before the broadcast. Do not assume that they know what you are doing, particularly with inexperienced talent.
there are 28 signals that you have to recognize, for more pictures you can download it here.

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Know The Duties of Television Presenter

Television presenters, also called the home team, working in a variety of formats of the show. They act as masters of ceremonies for the awards, host variety shows and game shows, interviewing guests talk show and insert content and programming. Sometimes also report the news, but are not the same as anchors or reporters , positions that require a specific training of journalism.


Education

Moderators TV need not special degree or certificate. However, people who are interested in the profits in this area of study, broadcast, television production  and radio and journalism at the college level. Competition is high for TV host workstations; formal training often gives candidates an advantage over competitors.

Skills

According to the skills required for the presenter MediaCollege.com vary, but the most important attribute is the individual. Developing compassion and trust along with being comfortable in front of the camera helps resource site for spectators. In addition, television personality/presenter has excellent verbal and written skills, pleasant voice, good diction and ability to understand the technical aspects of production.


Liabilities

Because they read the script and the main express thinking and made comfortable talking television arm of the improvisation. How does the program work during a live broadcast tasks to the "how to save and know that Air personalities need to be familiar about themselves. Topics of research and interviews tv servers meet, professional knowledge is required.

Salary

The broadcasting sector is politically subdivided into markets; It depends on the size of a marketplace at and for how many viewers it attracts. For example, is New York one of the largest broadcasting markets because it has a dense population and a high percentage of draws viewers. The larger the market, the higher the wages a TV presenter. The Bureau of Labor Statistics reported the average wage of 2009 for a television or radio announcer was $ 40,050. It may take years to find a position in a market in major media such as TV hosts tend to remain in his job and the percentage of sales is lower.

Considerations

Careers.org reports continued slow but steady decline in the availability of radio hosting job. With the slow decline in stiff competition field, education and work experience that gives aspiring speakers feature when looking for a job. Careers.org proposes to start smaller market gain experience and learn the ropes and television broadcasting, while grooming to higher positions in the areas most popular.

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Duties of a Camera Director

Camera Director is a job in television and broadcasting industry. In the United States, Director of the camera is better known as the Director of the multiple-camera. Members of the profession is a quality camera operator or the Director of organizing and directing a few pictures during live events, soap operas, news broadcasts and talk shows. Director of multi-camera must perform some tasks and fill several roles in the preparation and broadcasting of the program.

Technique

Camera Directors oversees and directs the filming with many digital cameras. The cameras will be carried out by the operators to concentrate with similar security cameras with automated processes or operate through a combination of both. Multi-Camera directors need to update ourselves constantly about new developments within the industry. You must learn about not only by new discoveries of construction behind closed doors, but should also be aware of new editing software, editing techniques and film stock or video varieties. Camera Directors is also responsible for recruiting and training new talent during operation of the camera and editing.
Creative

Multi-Camera monitor drivers live broadcasts, including large sporting events, political and Daily News programmes for the filming. They make the best decisions on-the-spot-camera live events follow the scripts. Camera directors decide to live sporting events, the event or development, instant replay can be of several aspects. They must be ready for unexpected incidents and breaks both front and rear cameras. The camera work in close cooperation with the Board of Directors, camera operators, as well as the lighting and sound engineers, decorators, newsreaders, actors Studio designs or talk-show hosts to achieve the best possible visual experience of the viewers.

Advisory

Although the directors of the camera are given some independence when the filming of a program, they should also cooperate with producers and, if he has appointed, the Director. Both the producer and the Director will have specific requirements and the requirements for the project. In the case of soap operas, producer and Director show will give the Director of the camera a shooting script and storyboard that specifies Central camera angles and contours of the shots or set. The Director of several cameras a provide advice on technical and creative possibilities and impossibilities regarding the creative vision of the producer and the Director, and to comply with their wishes to the best of its capabilities.

Training

Camera directors are usually trained in the schools of cinema and universities in studies of media with a specialization in camera operations or direct the film. This is usually followed by work experience in the television industry. Depending on skill, experience and talent, have to work from a few months to several years in the television industry to reach the position of director of the Chamber. In contrast to the filmmakers, camera operators and directors working in independent film and TV producers, directors multi-camera are regularly employed by television broadcasting companies and receive a regular paycheck.

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Tips For Using a Television Studio Cameras

Hello, Beraudiovisual's friends. Do you know, the difference between the filming of a television studio and a portable camcorder amateur is like going from a moped to a Harley Davidson. If you shoot in a studio, you're probably working on a talk show or news broadcast, so that this information applies primarily to people.

1. First understand what you do not have to. Exposure is controlled by the video engineer, who is also responsible for ensuring that the cameras are aligned so that the colors match. A good engineer must regularly match the color saturation and to ensure that the emphasis on performance is constant.

2. The cameraman in the studio, you are responsible for focusing, framing and composition. Some leaders are open to show them the proposed strike. Another rule with an iron fist, and want only what they expect. When working in a variety of animals, you know what they want.

3. Understanding third parts of the camera and what they do. You have a studio type viewfinder that displays an image in black and white. You will see the entire video image so that the design, the realization that, after

the release of most TVs will not see the edges you do, then add a margin around your ideal image. Always start with the configuration of your monitor bar. Unlike a camera in the new configuration, ENG, you have no chance to make a diopter adjustment so it is essential that if you need glasses you use them. Choose reading glasses, long distance impostors or even bifocals to ensure a clear direction.

4. Make sure the phone works both ways so you can listen to your manager and contact her. Since working in a direct cut, remember that you are hearing a lot more than you. I pulled many a show without a word to the control room. While the main off-line, had no time for anything but the most important observations of cameramen.

5. From the top you have a camera on a tripod, is to expand the handlebars like a motorcycle. On the left you will find your focus controller, manual tube connected to the cable is pushed in front of goal. When it puts the focus on change. On the right side is the zoom control, which is motorized. Tripod vary depending on configuration. Find out where the locks and drags you have. Cancel locks and make sure that the camera head is perfectly balanced from front to back. If you can not frame a shot and look to drift downwards or upwards. Set the drag so you can apply with equal force and pan and tilt.

6. As soon as you adjust the viewfinde and stand, ask the technician to take the camera away from the bars. Discover how much energy it takes a motorized zoom lens zoom control to achieve the desired speed. I do not know in which direction to push the zoom zoom in and where to go. Orientation, to learn that the direction of changing the focus from the knobs, or closer. You should know instinctively guided, so that you do not think when given the command. In practice, the wheels in motion PEDS truck or doll. Ped up and down to learn a lot about the power you need.

7. Understanding the controls. Others are implied. If they tell you to approach a person will automatically be inclined to give your site the subject's head. Do not forget to tilt down as you zoom. In a study environment that are generally designed to promote a subject, maybe two. The directors hope to keep these people adequately supervised after receiving your order. "To Peter" or "to stand" is a vertical movement of the camera pedestal. Below is the opposite. Dolly inside or outside refers to the camera roll toward or away from someone. Road transport is rolling the camera left or right. D'arc is to create a curve with his camera rolling. Zoom Zoom presses alone. A place is just the opposite. Pan is an axis from left to right in the camera head. Inclination is to turn your head up or down. Be sure to leave a gap of lead, so a person is slightly off center. If you talk about a topic more space on this side.

Advice

As mentioned above, you must have the focus back. Be sure to zoom in on your subject's eyes and then extend their framework to the end.

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Jobs List Of Film Production (Part 4)

Soundman: A man was going to be responsible for managing the necessary votes in filmmaking. Including measuring the strength of the boom in capturing the sound recording when shooting.

Ass. Soundman: A person who assists the Soundman to carry out their duties. Although the U.S. is an Oran which will go directly to check and adjust the power of sound in the recording process of shooting.

Graphic Designer: Is a person who has the task to design for all requirements in the production of films related to the graph. Including cover design makes the film cassette when they wanted to be marketed. Because it is a graphic designer does not arbitrarily make the cover tape. But there must be a correlation between the film's story with the cover, but it also can make people see the cover so interested to see the movie. Then the graphic designer will work under the producer marketing department.

Music Illustration: In this job an MI will be tasked with finding and which will determine the music that will be used in filmmaking. But it should also look at the theme, story ideas, and the atmosphere that existed at the film, so that between story and music to rhythm and for the audience will feel able to enjoy it.

Boom Operator: A man was on duty carry, organize, and direct the boom on the objects that were photographed. This was done to clarify the sound occurs when recording, because it will happen probably low sound. That will make between images and sounds do not match.

Talent Coordinator: A person who has a very tough task to help the director to master talent or the existing cast. This is so that when the drop occurs on the psychic talent does not mengganngu mood, mental, and the desire to showcase the role desired by the director. This often happens when a film production halted due to a constraint, and the talent loses his mood to continue shooting / take.

Still Photography: A man was in charge of perpetuating the image that qualify as documentation. And usually a SP will work with the script department continuity and cover designer. Because no connection between that department.

Main Title Designer: A person who is responsible for creating and designing the main title is required in a film that is being tilled. Including the credits roll, opening title and closing title. Because a good title will also bring in a filmmaking success. But still there must be relevance between the two.

Behind The Scene Director: A man was in charge of making a film base stations. With the intent and purpose to be able to see and correct the deficiencies and what to look for the perfection of making a film. So in other kesmpatan can take the experience contained on behind the scenes are made.

General Workman: Workman Usually in general there are a lot of people. Because GW has a very diverse tasks, depending on what the department needed help from the General Workman. So GW could be called sie. Super busy in the production of a film.

Generator Operator: A person who is responsible for managing the generator if needed. Because if there is shooting off site that does not exist then the flow of electricity needed to turn the generator for lighting, video control, and all necessary tools in filmmaking that uses the services of electricity. Included in the event of a power failure, generator operators must be alert to mengidupkan genset to the film production is not inhibited.

Catering Coordinator: A man was in charge of preparing and managing the necessary food or consumption during production. For example when shooting schedule breaks and lunch time, the catering coordinator serving food should be ready for lunch. Likewise, the other breaks. Usually catering department coordinator works under the ass. Producer.

Driver: This is a duty to always be ready to take and carry tools and other items used in film production. Included in the event of transfer of production sites.

Crane Operator: A person who is in charge of preparing the crane if necessary.

Dolly Operator: A person who is in charge of running the dolly if necessary. And when the dolly is needed, then the director will soon be a member to Dolly Operator command to quickly create and prepare the rails and carry out the dolly under the direction of the director.

Jimmy Jip Operator: A person who operates the Jimmy Jip duty if needed.

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Jobs List Of Film Production (Part 3)

Property: A man was in charge of looking for all the goods or anything relating to the artistic. Although usually preformance of filmmaking using properties that are difficult to find, then a property will initiate the desired goods or equipment, or bring in tools from a distance in film for smooth production.

Technical Director: It is a charge of checking all the equipment that smells preformance techniques of making a film. If problems occur on the tools used will be the responsibility of a TD, although working with Director Engineer, and Electricians, depending on what tools the problems faced.

Ass. Technical Director: A person who will help to check all the equipment associated with the technique in film production. And a super fast ATD must work to overcome technical problems that exist, so that the production process does not stop long. So it does not disrupt plans have been made by the producer.

Engineer Director: It is an expert in the field engineer (machinery). Who shall serve to check and repair the damage that use machine tools, after receiving the command from the technical director.

Ass. Engineer Director: A person who assists the ED to address the problem of existing machinery. And in practice, an AED is a direct jump to to repair all the damage that occurs engineer.

Casting Director: A person who is in charge of looking (to casting) talent or a cast that will portray the character in a movie. But a CD is also still consider the director of command and desire to recruit talent. So it will get a talent that can be portrayed in the film with good characters that are intended on the manuscript and desired by the director.

Ass. Casting Director: A person who will assist the task of a CD seeking talen / cast is desired, although an ACD will work directly in the field for selecting.

Electrician: It is an expert in the field of electricity that will be on duty to check all the means of production-related electricity, an electrician will also be assisted by technical director and director engineer, because mutual each other.

Ass. Electrician: A task that will help the electrician in the electric field when an issue occurs. And AE will plunge into the field immediately to cope with the guidance of chef electrician.

Clapper: A man was on duty at the time will show kliper shooting. And a Clapper has also served to replace the existing text in kliper. Like the turn of the scene, shoot, and take.

Script Continuity: It is a duty to observe and document a shooting. So there is no jumping at every follow-up scene in the movie. So if there is an ambiguous image in the shooting, then it is the fault of a SC which is less detailed story see the sequence of a scene being photographed. So to become an SC should have a thorough and tenacious nature.

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Jobs List Of Film Production (Part 2)

Director Of Photography: It is a right hand of a director on the picture imaging. Because a DOP will determine what angle to be used on film shoots. And a DOP must understand the basics and the meaning of an angle in filmmaking. So between the story, atmosphere, and the shooting technique is not ambiguous. As this will be felt if the film was finished. The audience will feel less fit to see an image that is not harmonious with the atmosphere and story.

Ass. Director Of Photography: An ass. DOP has a duty to help a DOP. But helping the implementation of the field when the film production runs. Ass. DOP will direct and give the intention of the angle used to the director, cameramen, and artistic. So there will be harmony between the attitudes, images, meaning angle and background.

Story Boarder: A man was in charge of making images that have been designed according to the angle made by a DOP yag and intent of a director, but it will also provide insight to the artistic team for arranging and setting the place (venue) as contained in the image created by a story boarder.
Ass. Story Boarder: An Ass. SB is a waterfall that will give direction to the concerned (director, cameramen, artistic). While the SBE will act as the conceptor only.

Cameramen: A mainstay of the trust director to take a picture that has been in concept by the SW and Director. While the shooting should be according to shootlist have been made by a DOP. And his duties with the help of illustrations of a Story Boarder.

Ass. Cameramen: A man who helped take pictures of the other blade but still with a guide shootlist made a DOP. Because if the film-making requires more than one camera, then an Ass. Cameramen who was in charge of implementing it.

Editor: It is a mainstay of director on the film editing. Since in the editing process this will result mempenaruhi last couple of films, whether good or bad. Because of an editor should be able to give the impression of perfection in the film, if there are pictures or kuran low either. And the editor was a man who would become the deciding success or failure of the film when it was marketed.

Ass. Editor: His task help an editor make a sequence of frames in the desired and expected by a director. So preformance practice an editor is the drafter, and an Ass. The editor is the executor.

Sound Editor: It is an expert in the field of sound to be inserted in each frame on the film done.

Ass. Sound Editor: A man who served as the executor of the will to use audio editing film preformance. Including if sprinkle sound effects if the original sound is not feasible to include in the frame. So the task of Ass. SE is looking for, create, annotate other effects similar to effects / sound of the original.

Special Effects Editor: A person who is in charge of making the desired special effects such as a director but still sticking to the script there yan. Although a SEE is the conceptor.

Ass. Special Effects Editor: A man was helping the SEE to find, create, and provide the desired special effects such as a director. These special effects have more value in a film, because it will give a strong character in the film that can not be generated through the camera shots.

Chef Lighting: A master of lighting in film production. Although usually a chef is only as a drafter and lighting director lightingman it.

Lightingman: It is a chef who will help arrange the lighting to the required light in every scene in the making of a film. And lightingman work according to the direction of Chef Lighting as the conceptor.

Art Director: trust is an expert in the field of artistic director. Art Director will lead a department that is in the shade. (Makeup, stylish, set builder, wardrobe, properties).

Make Up: It is an expert makeup contained on the art department in charge make up the cast is desired by scenario / script and director.

Stylish: It is a grammar expert stylish / hair that will be tasked with realizing the scenario and the director wants. Gives the same impression with the manuscript.

Set Builder: It is an expert in arranging space and property used in the filming. But the story board should look at existing, as well as shootlist that has been made so as not to be confused with the manuscript.

Wardrobe: A man was in charge of determining the costumes and clothing worn by a cast in a movie scene. But considering the manuscript, and the story.

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